‘The Road Was in Ireland’: Modernist Ecologies of Estrangement in Elizabeth Bowen’s Short Fiction

Attending to Elizabeth Bowen’s environmental descriptions in her short fiction, including her landscapes, weather, flora, and fauna, reveals a modernist ecological sensibility. In stories such as ‘Summer Night’ and ‘Human Habitation,’ Bowen’s characters find themselves estranged from the kinds of attachment to place fostered by a national ecological imaginary. While Bowen’s own nationality, and the effect of her Anglo-Irish class and heritage on her writing, has been a central area of consideration for many scholars, this essay offers an ecocritical reading of her short stories and argues that these works interrogate the viability of national ecologies to help understand the experiences of her characters within a modern world. Whether they find themselves in Ireland or in England, Bowen’s characters inhabit a world that perpetually leads to feelings of detachment and alienation from the terms of belonging and place that underlie such national ecologies. By building on the recent modernist and ecocritical turn in scholarship on Elizabeth Bowen, this essay argues that her short stories challenge the explanatory qualities of romantic national ecologies by instead evoking a modernist ecology of estrangement.