Frankfurt School - the musical!: Shock Treatment and the Eros of online civilisation

This paper explores philosophical themes present in the film Shock Treatment (1981), a musical comedy written by Jim Sharman and Richard O'Brien. The film, which serves as a partial sequel to the better-known Rocky Horror Picture Show (1975), was a critical and commercial failure at the time and has been largely overlooked subsequently. This paper offers a philosophical reconsideration of Shock Treatment. It argues that there are a number of themes developed within the film's narrative that correspond closely to the central concerns of the Frankfurt School, particularly those developed by Herbert Marcuse. It further argues that the film provides a way to explicate and critically reflect upon those themes in relation to contemporary online civilisation, with particular regard to the commodification and subversion of Eros within the capitalist system. As a result the film holds considerable potential as a teaching resource for courses on Frankfurt School critical theory.

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Publication Details

Journal
Acta Academica Critical views on society culture and politics
Published
2025-12-12
DOI
https://doi.org/10.38140/aa.v57i2.10200
Primary Topic
Critical Theory and Philosophy
Type
article
Field-Weighted Citation Impact
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article

Frankfurt School - the musical!: Shock Treatment and the Eros of online civilisation

Acta Academica Critical views on society culture and politics
Critical Theory and Philosophy
article

Frankfurt School - the musical!: Shock Treatment and the Eros of online civilisation

article en

Abstract

This paper explores philosophical themes present in the film Shock Treatment (1981), a musical comedy written by Jim Sharman and Richard O'Brien. The film, which serves as a partial sequel to the better-known Rocky Horror Picture Show (1975), was a critical and commercial failure at the time and has been largely overlooked subsequently. This paper offers a philosophical reconsideration of Shock Treatment. It argues that there are a number of themes developed within the film's narrative that correspond closely to the central concerns of the Frankfurt School, particularly those developed by Herbert Marcuse. It further argues that the film provides a way to explicate and critically reflect upon those themes in relation to contemporary online civilisation, with particular regard to the commodification and subversion of Eros within the capitalist system. As a result the film holds considerable potential as a teaching resource for courses on Frankfurt School critical theory.

Acta Academica Critical views on society culture and politicsVol. 57(2)
University of KwaZulu-Natal (ZA)
Openalex Percentile: Top 26%
Critical Theory and Philosophy
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Frankfurt School - the musical!: Shock Treatment and the Eros of online civilisation · Acta Academica Critical views on society culture and politics (2025) | TGRS Research Map | TGRS