Keynote: Discoverability of What for Whom?:Inequalities in Europe’s Path towards a Competitive European Audiovisual Industry and a Diverse Cultural Public Sphere

Discoverability of European works on streaming services has been high on political agendas ever since the revision of the AVMSD in 2018. The quota for European works, investment obligations and the call for their prominence aims to unite two policy objectives: sustaining revenue for the European audiovisual industries in the platform age and ensuring audiences’ access to European works for the benefit of diversity of cultural expression or even European integration. With evidence from VoD catalogues, interfaces and research into European audiences, this talk maps the power dynamics that pitch these two objectives against each other and ultimately shape the outcome of these policies: Different levels of VoD market development across Europe, differences in scale between European and global platforms, competition between content from different European countries as well as representations aimed at national vs. transnational audiences, personalization obscuring transparency and a lack of attention to European content’s discoverability beyond streaming.

Publication Details

Journal
Research Portal (King's College London)
Published
2025-10-23
Primary Topic
Cultural Industries and Urban Development
Type
article
Field-Weighted Citation Impact
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article

Keynote: Discoverability of What for Whom?:Inequalities in Europe’s Path towards a Competitive European Audiovisual Industry and a Diverse Cultural Public Sphere

Research Portal (King's College London)
Cultural Industries and Urban Development
article

Keynote: Discoverability of What for Whom?:Inequalities in Europe’s Path towards a Competitive European Audiovisual Industry and a Diverse Cultural Public Sphere

article en

Abstract

Discoverability of European works on streaming services has been high on political agendas ever since the revision of the AVMSD in 2018. The quota for European works, investment obligations and the call for their prominence aims to unite two policy objectives: sustaining revenue for the European audiovisual industries in the platform age and ensuring audiences’ access to European works for the benefit of diversity of cultural expression or even European integration. With evidence from VoD catalogues, interfaces and research into European audiences, this talk maps the power dynamics that pitch these two objectives against each other and ultimately shape the outcome of these policies: Different levels of VoD market development across Europe, differences in scale between European and global platforms, competition between content from different European countries as well as representations aimed at national vs. transnational audiences, personalization obscuring transparency and a lack of attention to European content’s discoverability beyond streaming.

Research Portal (King's College London)
Openalex Percentile: Top 29%
Cultural Industries and Urban Development
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