Pintura de paisagem de Mıgırdiç Givanian (1848-1906): exame técnico, caraterização do material e restauro

This study presents the documentation, technical examinations, material characterization, and restoration work of an oil painting on a metal plate signed by Mıgırdiç Givanian. The painting was analyzed with visible, ultraviolet and oblique light, optical microscopy, X-ray, Raman and micro-X-Ray fluorescence spectrometry. Optical microscopy provided insights into the painting technique and deteriorations. It was determined that the artist used an iron-based metal plate and pigments including lead white, calcite, vermilion, Prussian blue, hematite, carbon black, and gypsum, which were identified through Raman analysis. The XRF analysis suggested the possibility of a copper-based green pigment, lead-tin yellow, and chrome yellow. During the restoration phase, the yellowed varnish layer on the surface was cleaned, and the localized retouches on the painting surface, were removed. As a finishing application, the surface was re-varnished and retouched. This study is significant as it represents the first comprehensive work conducted on a painting signed by Givanian.

Publication Details

Journal
Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Published
2025-04-29
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Pintura de paisagem de Mıgırdiç Givanian (1848-1906): exame técnico, caraterização do material e restauro

Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Cultural Heritage Materials Analysis
article

Pintura de paisagem de Mıgırdiç Givanian (1848-1906): exame técnico, caraterização do material e restauro

article en

Abstract

This study presents the documentation, technical examinations, material characterization, and restoration work of an oil painting on a metal plate signed by Mıgırdiç Givanian. The painting was analyzed with visible, ultraviolet and oblique light, optical microscopy, X-ray, Raman and micro-X-Ray fluorescence spectrometry. Optical microscopy provided insights into the painting technique and deteriorations. It was determined that the artist used an iron-based metal plate and pigments including lead white, calcite, vermilion, Prussian blue, hematite, carbon black, and gypsum, which were identified through Raman analysis. The XRF analysis suggested the possibility of a copper-based green pigment, lead-tin yellow, and chrome yellow. During the restoration phase, the yellowed varnish layer on the surface was cleaned, and the localized retouches on the painting surface, were removed. As a finishing application, the surface was re-varnished and retouched. This study is significant as it represents the first comprehensive work conducted on a painting signed by Givanian.

Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Sustainable cities and communities
Openalex Percentile: Top 29%
Cultural Heritage Materials Analysis
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.