When is a prologue (not) a prologue? The second prologue in Cornelis van Ghistele's Van Eneas en Dido

This study starts to address the limited scholarship on identifying prologues and epilogues in dramatic texts. While many frame texts are easily recognisable, there are instances where classification is ambiguous. Using Cornelis van Ghistele’s Aeneas and Dido as a test case, the article explores criteria for determining the function of frame texts. The play, staged in Antwerp in 1552 (or 1551), includes two frame texts marked as ‘prologue’ in the manuscript, although the editor decided one of them was in fact the epilogue. Examining the manuscript evidence, including labels and structural elements, as well as the content of the frame texts, the analysis concludes that the second frame text is the prologue to the second play of Cornelis van Ghistele’s Aeneas and Dido and not an epilogue.

Publication Details

Journal
White Rose Research Online (University of Leeds, The University of Sheffield, University of York)
Published
2026-02-19
Primary Topic
Reformation and Early Modern Christianity
Type
article
Field-Weighted Citation Impact
0.00

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article

When is a prologue (not) a prologue? The second prologue in Cornelis van Ghistele's Van Eneas en Dido

White Rose Research Online (University of Leeds, The University of Sheffield, University of York)
Reformation and Early Modern Christianity
article

When is a prologue (not) a prologue? The second prologue in Cornelis van Ghistele's Van Eneas en Dido

article en

Abstract

This study starts to address the limited scholarship on identifying prologues and epilogues in dramatic texts. While many frame texts are easily recognisable, there are instances where classification is ambiguous. Using Cornelis van Ghistele’s Aeneas and Dido as a test case, the article explores criteria for determining the function of frame texts. The play, staged in Antwerp in 1552 (or 1551), includes two frame texts marked as ‘prologue’ in the manuscript, although the editor decided one of them was in fact the epilogue. Examining the manuscript evidence, including labels and structural elements, as well as the content of the frame texts, the analysis concludes that the second frame text is the prologue to the second play of Cornelis van Ghistele’s Aeneas and Dido and not an epilogue.

White Rose Research Online (University of Leeds, The University of Sheffield, University of York)
Leverhulme Trust
Openalex Percentile: Top 99%
Reformation and Early Modern Christianity
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