The rock art soundscapes of the Karakol valley (Republic of Altai, Russia): An archaeoacoustic study of a unique landscape

This article explores the presence of shamanism in the Karakol valley, analysing its historical timeline from prehistoric to modern times. Scholarly opinions vary, suggesting origins from the Neolithic to the modern era, with clearer depictions emerging in the 18th and 19th centuries. Acoustic tests conducted in four areas associated with shamanic practices revealed inconclusive results due to their location in an open-air environment. However, accounts of intense auditory experiences during shamanic rituals suggest that, even if acoustics may be used in some occasions, there are other alternative means of emotional control. It is argued that the lack of significant acoustic effects in the tested sites does not rule out the possibility of shamanic rituals. The discussion also delves into the representation of shamans in rock art and the interpretation of results from acoustic tests, considering factors like reverberation and sound clarity. This study highlights the complex interplay between shamanism, sensory experiences and ritualistic practices in ancient societies.

Publication Details

Journal
Dipòsit Digital de la Universitat de Barcelona (Universitat de Barcelona)
Published
2024-10-01
Primary Topic
Archaeology and Rock Art Studies
Type
article
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article

The rock art soundscapes of the Karakol valley (Republic of Altai, Russia): An archaeoacoustic study of a unique landscape

Dipòsit Digital de la Universitat de Barcelona (Universitat de Barcelona)
Archaeology and Rock Art Studies
article

The rock art soundscapes of the Karakol valley (Republic of Altai, Russia): An archaeoacoustic study of a unique landscape

article en

Abstract

This article explores the presence of shamanism in the Karakol valley, analysing its historical timeline from prehistoric to modern times. Scholarly opinions vary, suggesting origins from the Neolithic to the modern era, with clearer depictions emerging in the 18th and 19th centuries. Acoustic tests conducted in four areas associated with shamanic practices revealed inconclusive results due to their location in an open-air environment. However, accounts of intense auditory experiences during shamanic rituals suggest that, even if acoustics may be used in some occasions, there are other alternative means of emotional control. It is argued that the lack of significant acoustic effects in the tested sites does not rule out the possibility of shamanic rituals. The discussion also delves into the representation of shamans in rock art and the interpretation of results from acoustic tests, considering factors like reverberation and sound clarity. This study highlights the complex interplay between shamanism, sensory experiences and ritualistic practices in ancient societies.

Dipòsit Digital de la Universitat de Barcelona (Universitat de Barcelona)
Sustainable cities and communities
Openalex Percentile: Top 18%
Archaeology and Rock Art Studies
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