A FONTE INESGOTÁVEL DA ESCUTA: poder cognitivo-emocional da performance poética mediatizada

This case study employs netnography to study the cognitive and emotional effects of mediatized poetry performance on the audience. Understanding these effects involves analyzing the impact that emotions play during the performance, associated with the happening of beauty or catharsis, have on the listener’s mind and body. In order to analyze the responses of the four participants, I drew on cognitive science theoretical contributions, specifically from cognitive psychology, neurobiology and neuroaesthetics. To contextualize and understand spectators’ accounts ethnographically, I examined the relationship between listener, poet-performer and vocalized poetic text in light of concepts proposed by Paul Zumthor, framed within the defining and interrelated aspects of performance as conceptualized by Erika Fischer-Lichte. Cognitive schema is a key factor in emotional processing and produces cognitive biases that favor the interpretation of an information that is consistent with the listener’s knowledge structure and emotions.

Publication Details

Journal
Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Published
2025-06-30
DOI
https://doi.org/10.37334/eras.v16i2.331
Primary Topic
Sound Studies and Aurality
Type
article
Field-Weighted Citation Impact
0.00
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article

A FONTE INESGOTÁVEL DA ESCUTA: poder cognitivo-emocional da performance poética mediatizada

Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Sound Studies and Aurality
article

A FONTE INESGOTÁVEL DA ESCUTA: poder cognitivo-emocional da performance poética mediatizada

article en

Abstract

This case study employs netnography to study the cognitive and emotional effects of mediatized poetry performance on the audience. Understanding these effects involves analyzing the impact that emotions play during the performance, associated with the happening of beauty or catharsis, have on the listener’s mind and body. In order to analyze the responses of the four participants, I drew on cognitive science theoretical contributions, specifically from cognitive psychology, neurobiology and neuroaesthetics. To contextualize and understand spectators’ accounts ethnographically, I examined the relationship between listener, poet-performer and vocalized poetic text in light of concepts proposed by Paul Zumthor, framed within the defining and interrelated aspects of performance as conceptualized by Erika Fischer-Lichte. Cognitive schema is a key factor in emotional processing and produces cognitive biases that favor the interpretation of an information that is consistent with the listener’s knowledge structure and emotions.

Portuguese National Funding Agency for Science, Research and Technology (RCAAP Project by FCT)
Quality Education
Openalex Percentile: Top 35%
Sound Studies and Aurality
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