Dilli Darshan: Training the tourist gaze

I offer a reading of two photographs of Agrasen ki Baoli, a fourteenth-century stepwell in Delhi, India. First, a photograph by the acclaimed Raghu Rai published in a book titled Delhi: A Portrait (1983) and second, an uncredited photograph on the Delhi Tourism Website (n.d.). Both commissioned and circulated by (iterations of) the Delhi Tourism and Transportation Development Corporation (DTTDC). I contend that these photographs yield rich insights into the DTTDC’s work towards producing Tourist Delhi and towards generating tourist desire for this city. I suggest that the DTTDC’s aim with these photographs is to train the tourist’s gaze on Delhi in a way that produces a specific kind of desire for a specific version of the city.

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Publication Details

Journal
Journal of Urban Cultural Studies
Published
2025-10-01
DOI
https://doi.org/10.1386/jucs_00104_1
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Dilli Darshan: Training the tourist gaze

Journal of Urban Cultural Studies
South Asian Cinema and Culture
article

Dilli Darshan: Training the tourist gaze

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Abstract

I offer a reading of two photographs of Agrasen ki Baoli, a fourteenth-century stepwell in Delhi, India. First, a photograph by the acclaimed Raghu Rai published in a book titled Delhi: A Portrait (1983) and second, an uncredited photograph on the Delhi Tourism Website (n.d.). Both commissioned and circulated by (iterations of) the Delhi Tourism and Transportation Development Corporation (DTTDC). I contend that these photographs yield rich insights into the DTTDC’s work towards producing Tourist Delhi and towards generating tourist desire for this city. I suggest that the DTTDC’s aim with these photographs is to train the tourist’s gaze on Delhi in a way that produces a specific kind of desire for a specific version of the city.

Journal of Urban Cultural StudiesVol. 12(2)
University of Massachusetts Amherst (US)
Sustainable cities and communities
Openalex Percentile: Top 32%
South Asian Cinema and Culture
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