Sir Francis Chantrey’s ‘delicate and honourable conduct in all matters relating to the Abbey’, 1814–41

Between 1814 and 1841 Sir Francis Chantrey supplied a dozen monuments for Westminster Abbey, chiefly producing monumental statues in a naturalistic vein, and helping to shift the aesthetic of the abbey away from the allegorical groups of the eighteenth century. During this period he also took on an informal but trusted role as an advisor on the conservation, cleaning and preservation of the abbey’s collection of post-medieval monuments, assisting Edward Blore, the abbey’s surveyor, and the Dean and Chapter in the presentation of the works to visitors. This article looks at Chantrey’s works and his complex attitude to the abbey, which stressed the need for both reform and conservation, giving a voice to the notion that Westminster Abbey needed to be rescued from a century of aesthetic decline, while stressing the requirement for modern sculpture to be appropriate to the Gothic fabric.

Publication Details

Journal
Sculpture Journal
Published
2025-11-27
DOI
https://doi.org/10.3828/sj.2025.34.4.07
Primary Topic
Historical Architecture and Urbanism
Type
article
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article

Sir Francis Chantrey’s ‘delicate and honourable conduct in all matters relating to the Abbey’, 1814–41

Sculpture Journal
Historical Architecture and Urbanism
article

Sir Francis Chantrey’s ‘delicate and honourable conduct in all matters relating to the Abbey’, 1814–41

article en

Abstract

Between 1814 and 1841 Sir Francis Chantrey supplied a dozen monuments for Westminster Abbey, chiefly producing monumental statues in a naturalistic vein, and helping to shift the aesthetic of the abbey away from the allegorical groups of the eighteenth century. During this period he also took on an informal but trusted role as an advisor on the conservation, cleaning and preservation of the abbey’s collection of post-medieval monuments, assisting Edward Blore, the abbey’s surveyor, and the Dean and Chapter in the presentation of the works to visitors. This article looks at Chantrey’s works and his complex attitude to the abbey, which stressed the need for both reform and conservation, giving a voice to the notion that Westminster Abbey needed to be rescued from a century of aesthetic decline, while stressing the requirement for modern sculpture to be appropriate to the Gothic fabric.

Sculpture JournalVol. 34(4)
Sustainable cities and communities
Openalex Percentile: Top 31%
Historical Architecture and Urbanism
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