Legal and Policy Framework of Artistic Research in Spanish Higher Arts Education

AbstractThis article charts the legal trajectory that has shaped artistic research in Spain’s higher-arts sector from theMoyano Law (1857) to the new Ley 1/2024. It shows how conservatories, historically outside the universitysystem, have sought academic parity through a succession of reforms—LOGSE (1990), LOE (2006), LOMLOE(2020)—and the Bologna Process. Recent legislation now grants degrees labelled Grado and Máster,embeds research competencies in curricula and requires doctoral-level faculty, yet structural asymmetriespersist. Regional implementation lags, research funding remains scarce and entrenched studio-masterpedagogies resist inquiry-based practices. By mapping these tensions, the study offers a framework forunderstanding the partial convergence—and enduring distance—between Spain’s conservatories anduniversities, and it outlines lessons for European policymakers working to integrate practice-basedknowledge within higher-education architectures.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-04-14
DOI
https://doi.org/10.5281/zenodo.17714918
Primary Topic
Artistic and Creative Research
Type
article
Field-Weighted Citation Impact
0.00
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article

Legal and Policy Framework of Artistic Research in Spanish Higher Arts Education

Zenodo (CERN European Organization for Nuclear Research)
Artistic and Creative Research
article

Legal and Policy Framework of Artistic Research in Spanish Higher Arts Education

article en

Abstract

AbstractThis article charts the legal trajectory that has shaped artistic research in Spain’s higher-arts sector from theMoyano Law (1857) to the new Ley 1/2024. It shows how conservatories, historically outside the universitysystem, have sought academic parity through a succession of reforms—LOGSE (1990), LOE (2006), LOMLOE(2020)—and the Bologna Process. Recent legislation now grants degrees labelled Grado and Máster,embeds research competencies in curricula and requires doctoral-level faculty, yet structural asymmetriespersist. Regional implementation lags, research funding remains scarce and entrenched studio-masterpedagogies resist inquiry-based practices. By mapping these tensions, the study offers a framework forunderstanding the partial convergence—and enduring distance—between Spain’s conservatories anduniversities, and it outlines lessons for European policymakers working to integrate practice-basedknowledge within higher-education architectures.

Zenodo (CERN European Organization for Nuclear Research)
Real Conservatorio Superior de Música de Madrid (ES)
Openalex Percentile: Top 33%
Artistic and Creative Research
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