A Subject of Interest: Silence, Memory and the Dramaturgical Journey of Writing

This thesis traces the creation of A Subject of Interest, an original play exploring the complex relationship between Brazil and the United States during the Brazilian military dictatorship (1964–1985). Blending dramaturgy, journalism, and creative writing, the project investigates how historical silences—personal and collective—shape memory and identity. Inspired by personal family history, extensive historical research, and interviews, the thesis reflects on the creative challenges of adapting factual research into a dramatic narrative. It examines the tension between historical accuracy and emotional truth, the responsibility of storytelling in confronting silence, and the process of shaping real-world trauma into theatrical form. Throughout, the work highlights dramaturgy’s potential to bridge journalism, politics, and fiction, and argues for storytelling as a tool of resistance against historical erasure.

Publication Details

Journal
Scholarworks (University of Massachusetts Amherst)
Published
2025-11-14
DOI
https://doi.org/10.7275/a99j-1d50
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

A Subject of Interest: Silence, Memory and the Dramaturgical Journey of Writing

Scholarworks (University of Massachusetts Amherst)
Theatre and Performance Studies
article

A Subject of Interest: Silence, Memory and the Dramaturgical Journey of Writing

article en

Abstract

This thesis traces the creation of A Subject of Interest, an original play exploring the complex relationship between Brazil and the United States during the Brazilian military dictatorship (1964–1985). Blending dramaturgy, journalism, and creative writing, the project investigates how historical silences—personal and collective—shape memory and identity. Inspired by personal family history, extensive historical research, and interviews, the thesis reflects on the creative challenges of adapting factual research into a dramatic narrative. It examines the tension between historical accuracy and emotional truth, the responsibility of storytelling in confronting silence, and the process of shaping real-world trauma into theatrical form. Throughout, the work highlights dramaturgy’s potential to bridge journalism, politics, and fiction, and argues for storytelling as a tool of resistance against historical erasure.

Scholarworks (University of Massachusetts Amherst)
Openalex Percentile: Top 34%
Theatre and Performance Studies
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