A Body of Work

A Body of Work explores the convergence of conceptual inquiry, material philosophy, and ceramic practice through the creation of a body of work defined by the physicality of my own body. Entrenched in tenets of Material Engagement Theory, the Hylomorphic Model, and material affordances, A Body of Work examines the activation and emergence of agency in the dialogue between maker and material. Using my weight and volume as guiding constraints, the resulting collection of wheel-thrown bowls and primarily coil-built “belly pots” become both literal and conceptual reflections of embodied knowledge. This investigation positions clay as an active collaborator in the becoming of form rather than a passive recipient of a maker’s design, offering insight into the ways cognition extends through and is shaped by physical engagement. This paper anatomizes process documentation, personal narrative, and theoretical frameworks to articulate a ceramic practice that prioritizes receptivity, adaptability, and material attunement. In doing so, it contributes to ongoing conversations about the role of embodiment, materiality, and artistic agency in contemporary craft.