STYLISTIC SIMILITUDE BETWEEN ORAL PERFORMANCE AND THE NIGERIAN GRASSROOTS POLITICAL CAMPAIGN STRATEGIES

Virtually every bit of the content and practice of oral performance in oral literature belongs to society. As the subject of oral literature depends on oral performance for its manifestation and determination, the performance almost entirely depends on the audience for the final outcome or success of the performance. This paper is premised on some observable semblances between the stylistic peculiarities of oral performance in African oral literature and the realities of political campaign strategies in the Nigerian grassroots political arena. Participants in the theatrics of these two events operate on a seemingly relative modus, albeit to achieve different objectives. In recent times, political campaigns in Nigeria have acquired and reflected some elements of oral performance. The workings of political campaigns have shifted from the activities of a few party strategists selling their manifestoes to isolated electorates. The trend now involves a large crowd of performers engaging in a series of unscripted dramatic acts. Like oral performance, political campaigners tend to make the electorates the all-important audience in the configuration. A seamless interface exists between the real actors and the audience. Although real stages still exist in some campaign arenas, the boundary between the performers and the audience has been eroding. Songs have become a dominant feature in campaign performances that no longer depend on the outlines of the campaigners but on the whims and preferences of the audience. Contents of campaign programmes come through spontaneous creativity and audience play vital roles such as moderating and contributing to the performance’s content. All these new trends are shared features of oral performance. Unfortunately, shortly after the elections, elected members of the society become isolated from the electorates. This paper thinks that electorates should take advantage of this campaign trend to enforce a broad-based accountable governance on politicians

Institutions

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-11-03
DOI
https://doi.org/10.5281/zenodo.17511032
Primary Topic
Postcolonial and Cultural Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

STYLISTIC SIMILITUDE BETWEEN ORAL PERFORMANCE AND THE NIGERIAN GRASSROOTS POLITICAL CAMPAIGN STRATEGIES

Zenodo (CERN European Organization for Nuclear Research)
Postcolonial and Cultural Literary Studies
article

STYLISTIC SIMILITUDE BETWEEN ORAL PERFORMANCE AND THE NIGERIAN GRASSROOTS POLITICAL CAMPAIGN STRATEGIES

article en

Abstract

Virtually every bit of the content and practice of oral performance in oral literature belongs to society. As the subject of oral literature depends on oral performance for its manifestation and determination, the performance almost entirely depends on the audience for the final outcome or success of the performance. This paper is premised on some observable semblances between the stylistic peculiarities of oral performance in African oral literature and the realities of political campaign strategies in the Nigerian grassroots political arena. Participants in the theatrics of these two events operate on a seemingly relative modus, albeit to achieve different objectives. In recent times, political campaigns in Nigeria have acquired and reflected some elements of oral performance. The workings of political campaigns have shifted from the activities of a few party strategists selling their manifestoes to isolated electorates. The trend now involves a large crowd of performers engaging in a series of unscripted dramatic acts. Like oral performance, political campaigners tend to make the electorates the all-important audience in the configuration. A seamless interface exists between the real actors and the audience. Although real stages still exist in some campaign arenas, the boundary between the performers and the audience has been eroding. Songs have become a dominant feature in campaign performances that no longer depend on the outlines of the campaigners but on the whims and preferences of the audience. Contents of campaign programmes come through spontaneous creativity and audience play vital roles such as moderating and contributing to the performance’s content. All these new trends are shared features of oral performance. Unfortunately, shortly after the elections, elected members of the society become isolated from the electorates. This paper thinks that electorates should take advantage of this campaign trend to enforce a broad-based accountable governance on politicians

Zenodo (CERN European Organization for Nuclear Research)
Federal University of Technology (NG)
Openalex Percentile: Top 40%
Postcolonial and Cultural Literary Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

STYLISTIC SIMILITUDE BETWEEN ORAL PERFORMANCE AND THE NIGERIAN GRASSROOTS POLITICAL CAMPAIGN STRATEGIES · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS