There’s the wind outside

This photographic essay reflects upon the presentation of the wind, exploring sensory and experiential dimensions. The wind, though intangible, profoundly impacts our experiential reality, punctuating daily life with moments of connection and disruption. The images, captured in black and white through phone snapshots and observations, offer a ‘wind’s eye’ view, highlighting the wind’s nuances and fragility. The text encourages mindfulness and connection beyond human experience, revealing the ephemeral nature of the wind and the power of presence. By presenting the wind as a character, it draws attention to its unique characteristics, behaviours and interactions. Through an object-oriented ontology perspective, the wind is regarded as a distinct object, existing independently with its own ‘wind-ness’. The essay invites contemplation of this non-human entity, fostering a deeper appreciation for the world’s fleeting moments and connections.

Institutions

Publication Details

Journal
JAWS Journal of Arts Writing by Students
Published
2024-12-01
DOI
https://doi.org/10.1386/jaws_00080_3
Primary Topic
Geographies of human-animal interactions
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

There’s the wind outside

JAWS Journal of Arts Writing by Students
Geographies of human-animal interactions
article

There’s the wind outside

article en

Abstract

This photographic essay reflects upon the presentation of the wind, exploring sensory and experiential dimensions. The wind, though intangible, profoundly impacts our experiential reality, punctuating daily life with moments of connection and disruption. The images, captured in black and white through phone snapshots and observations, offer a ‘wind’s eye’ view, highlighting the wind’s nuances and fragility. The text encourages mindfulness and connection beyond human experience, revealing the ephemeral nature of the wind and the power of presence. By presenting the wind as a character, it draws attention to its unique characteristics, behaviours and interactions. Through an object-oriented ontology perspective, the wind is regarded as a distinct object, existing independently with its own ‘wind-ness’. The essay invites contemplation of this non-human entity, fostering a deeper appreciation for the world’s fleeting moments and connections.

JAWS Journal of Arts Writing by StudentsVol. 10(1)
Glasgow School of Art (GB)
Openalex Percentile: Top 22%
Geographies of human-animal interactions
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.