Introduction: Toward Establishing Chinese Literary Theory as a Viable Subject of Sinological Studies

Abstract This introduction advocates for the elevation of Chinese literary theory as a vital field within Sinological studies, highlighting its historical depth and richness, particularly in the realm of poetry criticism. Despite the central role of literary theory in traditional Chinese humanities, Western Sinology has largely neglected this area, focusing instead on literature itself rather than its theoretical underpinnings. Cai, the special issue editor, identifies the complexity and polysemy of Chinese critical terminology as a primary barrier to the study and understanding of Chinese literary theory, contrasting the dynamic, evolving meanings of Chinese terms with the more conceptually fixed terms of Western theory. The special issue addressed in this introduction marks a significant collaborative effort between Chinese and American scholars, focusing on in-depth explorations of key critical terms across the four coordinates of criticism—universe, author, work, and audience—following M. H. Abrams's framework. The collection aims to establish a working nomenclature for Chinese literary theory and argues that a holistic, integrative mode of thinking underlies its critical discourse. By fostering dialogue between detailed term studies and broader theoretical reflection, Cai and contributors hope to invigorate the field and position Chinese literary theory as a viable and essential subject within Sinology.