Symbolism in the Directorial Art of Tadashi Suzuki through Two Plays: King Lear by William Shakespeare and Three Sisters by Anton Chekhov

Abstract: In Tadashi Suzuki’s directing art, his theatrical treatments are highly symbolic, creating distinctive impressions and forming his unique directorial style. His productions of William Shakespeare’s King Lear and Anton Chekhov’s Three Sisters are considered among the many plays where his approaches to character, action, and script are imbued with rich symbolism. Through these works, Suzuki establishes a powerful visual and conceptual language that distinguishes his theatre both in Japan and internationally. Keywords: Tadashi Suzuki; Symbolism; Directing Art; Theatre; Adaptation. Title: Symbolism in the Directorial Art of Tadashi Suzuki through Two Plays: King Lear by William Shakespeare and Three Sisters by Anton Chekhov Author: Duong Thi Thanh Huyen International Journal of Social Science and Humanities Research ISSN 2348-3156 (Print), ISSN 2348-3164 (online) Vol. 13, Issue 4, October 2025 - December 2025 Page No: 95-98 Research Publish Journals Website: www.researchpublish.com Published Date: 12-October-2025 DOI: https://doi.org/10.5281/zenodo.17333313 Paper Download link (Source) https://www.researchpublish.com/papers/symbolism-in-the-directorial-art-of-tadashi-suzuki-through-two-plays-king-lear-by-william-shakespeare-and-three-sisters-by-anton-chekhov

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-10-12
DOI
https://doi.org/10.5281/zenodo.17333312
Primary Topic
Educational Theory and Curriculum Studies
Type
article
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article

Symbolism in the Directorial Art of Tadashi Suzuki through Two Plays: King Lear by William Shakespeare and Three Sisters by Anton Chekhov

Zenodo (CERN European Organization for Nuclear Research)
Educational Theory and Curriculum Studies
article

Symbolism in the Directorial Art of Tadashi Suzuki through Two Plays: King Lear by William Shakespeare and Three Sisters by Anton Chekhov

article en

Abstract

Abstract: In Tadashi Suzuki’s directing art, his theatrical treatments are highly symbolic, creating distinctive impressions and forming his unique directorial style. His productions of William Shakespeare’s King Lear and Anton Chekhov’s Three Sisters are considered among the many plays where his approaches to character, action, and script are imbued with rich symbolism. Through these works, Suzuki establishes a powerful visual and conceptual language that distinguishes his theatre both in Japan and internationally. Keywords: Tadashi Suzuki; Symbolism; Directing Art; Theatre; Adaptation. Title: Symbolism in the Directorial Art of Tadashi Suzuki through Two Plays: King Lear by William Shakespeare and Three Sisters by Anton Chekhov Author: Duong Thi Thanh Huyen International Journal of Social Science and Humanities Research ISSN 2348-3156 (Print), ISSN 2348-3164 (online) Vol. 13, Issue 4, October 2025 - December 2025 Page No: 95-98 Research Publish Journals Website: www.researchpublish.com Published Date: 12-October-2025 DOI: https://doi.org/10.5281/zenodo.17333313 Paper Download link (Source) https://www.researchpublish.com/papers/symbolism-in-the-directorial-art-of-tadashi-suzuki-through-two-plays-king-lear-by-william-shakespeare-and-three-sisters-by-anton-chekhov

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 36%
Educational Theory and Curriculum Studies
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