The Tathagata Buddha's Heavenly Law is Like a Song
Lawrence K Wang (王抗曝) (2025), "The Tathagata Buddha's Heavenly Law is Like a Song"《如來佛天律如歌》. In: "Global Humanities and Liberal Arts", Volume 2025, Number 10C, October 12, 2025; 2025(10C), 23 pages, Lenox Institute Press, MA, USA. [email protected] poem presents a philosophical meditation on the nature of a harmonious life lived in accordance with cosmic law. Structured as nine couplets of seven-character verse, the work employs systematic anaphora—each line (including the title) beginning with the character "如" (rú, meaning "as" or "like")—to create a rhythmic and thematic unity that mirrors the interconnectedness of all existence. Drawing from Buddhist concepts of karma and destiny, Daoist principles of effortless action and natural harmony, and Confucian values of familial duty and legacy, the poem traces the complete arc of a virtuous partnership from fated meeting through shared challenges to ultimate gratitude. The work's rich natural imagery—dragons and phoenixes, pines and bamboo, water and wind—serves not merely as decoration but as philosophical illustration, demonstrating how human excellence manifests when aligned with the patterns of nature. The poem's title, "Heaven's Law is Like a Song," encapsulates its central insight: that a life lived in harmony with cosmic principles is not one of struggle and constraint, but of beauty, grace, and joy. Through its synthesis of Eastern philosophical traditions and its innovative formal structure, the poem offers a contemporary vision of human flourishing that honors ancient wisdom while speaking to universal human aspirations for meaning, connection, and transcendence. The preface of this publication is a poetic tribute to Tathāgata Buddha (如來佛), featuring the composition "Ode to the Tathāgata as the One Thus Come" 《如來如佛頌》, also presented in the distinctive Ru-style poetic form, where each line gracefully incorporates the character "如" to honor the essence of suchness and transcendence. 本詩呈現了一種哲學沉思,探討依循宇宙法則而和諧生活的本質。作品以九聯七言詩的形式構成,運用系統性的首語重複——每行(包括題目)皆以「如」字開頭——創造出節奏與主題的統一性,映照萬物相互連結的本質。本詩汲取佛教的因果與命運概念、道家的無為與自然和諧原則,以及儒家的家庭責任與傳承價值,追溯一段德行夥伴關係從命定相遇、共度挑戰到最終感恩的完整軌跡。作品中豐富的自然意象——龍與鳳、松與竹、水與風——不僅作為裝飾,更是哲學的闡釋,展示當人的卓越與自然規律相契合時如何顯現。詩歌的標題「天律如歌」濃縮了其核心洞見:與宇宙原則和諧共處的人生,並非充滿掙扎與束縛,而是美麗、優雅與喜悅的。透過對東方哲學傳統的綜合與創新的形式結構,本詩提供了一個當代的人類興盛願景,既尊重古老智慧,又訴說著人類對意義、連結與超越的普世渴望。本出版物之前言為對如來佛的詩意讚頌,特別呈現《如來如佛頌》一詩,採用獨特的「如」體詩格式,每句皆巧妙融入「如」字,以詩意致敬佛陀的真如與超越之境。 :
Publication Details
- Journal
- Knowledge Commons (Lakehead University)
- Published
- 2025-10-12
- DOI
- https://doi.org/10.17613/hmvyy-zqs85
- Primary Topic
- Indian and Buddhist Studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00