The Development of Indian Artistic Traditions: A Comparative Inquiry into Classical and Contemporary Visual Forms

This study examines the development of Indian artistic traditions in drawing and painting through a comparative analysis of classical and contemporary visual forms. The research aims to trace continuities and transformations within Indian art, highlighting the aesthetic, cultural and philosophical dimensions that shape its evolution. Methodologically, the paper employs a qualitative and descriptive approach, supported by visual analysis of selected artworks from classical traditions such as Ajanta murals, Mughal and Rajput paintings, alongside modern and contemporary practices represented by Amrita Sher-Gil, M.F. Husain, and others. The findings reveal that while classical art is deeply rooted in spirituality, symbolism and collective identity, contemporary practices reflect experimentation, individual expression and engagement with socio-political realities. The study concludes that Indian art embodies both continuity and rupture, where timeless aesthetic principles coexist with innovative reinterpretations, thereby affirming its dynamic role in negotiating cultural memory and modernity.

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Publication Details

Journal
International Journal of Management and Development Studies
Published
2025-08-16
DOI
https://doi.org/10.53983/ijmds.v14n8.013
Primary Topic
Antibiotic Resistance in Bacteria
Type
article
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article

The Development of Indian Artistic Traditions: A Comparative Inquiry into Classical and Contemporary Visual Forms

International Journal of Management and Development Studies
Antibiotic Resistance in Bacteria
article

The Development of Indian Artistic Traditions: A Comparative Inquiry into Classical and Contemporary Visual Forms

article en

Abstract

This study examines the development of Indian artistic traditions in drawing and painting through a comparative analysis of classical and contemporary visual forms. The research aims to trace continuities and transformations within Indian art, highlighting the aesthetic, cultural and philosophical dimensions that shape its evolution. Methodologically, the paper employs a qualitative and descriptive approach, supported by visual analysis of selected artworks from classical traditions such as Ajanta murals, Mughal and Rajput paintings, alongside modern and contemporary practices represented by Amrita Sher-Gil, M.F. Husain, and others. The findings reveal that while classical art is deeply rooted in spirituality, symbolism and collective identity, contemporary practices reflect experimentation, individual expression and engagement with socio-political realities. The study concludes that Indian art embodies both continuity and rupture, where timeless aesthetic principles coexist with innovative reinterpretations, thereby affirming its dynamic role in negotiating cultural memory and modernity.

International Journal of Management and Development StudiesVol. 14(8)
Uttarakhand Ayurved University (IN)
Sustainable cities and communities
Openalex Percentile: Top 55%
Antibiotic Resistance in Bacteria
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