Connecting communities: Curatorial approaches in collaborative publication design

This practice-oriented design research project investigates the question: What curatorial publishing approach might be applied to the development of a distinctive print-based, multivocal publication that fosters communities and reflects diversity? Publication design conventions are rooted in graphic systems that develop an aesthetic sense of unity, typically overseen by an editor to ensure a consistent visual identity. Over the last 20 years, Threaded Magazine, the site of inquiry, has developed a curatorial and editorial model that fosters dialogue between featured practitioners and their practices, promoting plurality and inclusiveness. However, this approach presents a complex challenge concerning graphic design conventions commonly held by similar editorial products. This project aims to investigate and establish a visual language that can address this dichotomy. The project is contextualised by literature on editorial practice, the curatorial concept in editorship and graphic design practice and citizenship. It employs two distinct methodological frameworks; the first was used for the elaboration of this confirmation of candidature and the second is designed for the production stage of the thesis. The initial framework involves a literature review and the production of a compendium on the landscape of independent publishers in New Zealand, interviews with specialists and the examination of 21 issues of Threaded Magazine. The second framework will employ process visualisation through infographics, prototypes and iterative experimentation, advisory groups, collaboration and co-design. The study contributes to knowledge through a reconsideration of the term curatorial, moving it beyond its association with museum collections to understand its application and meaning in the context of independent magazine publishing that operates within a community-centred framework.