从“本质”到“生产”：斯图亚特·霍尔理论视域下澳门电影的身份叙事流变

本文借助斯图亚特·霍尔的文化身份理论，通过对《大辫子的诱惑》、《奥戈》、《骨妹》三部代表性电影的细读，分析澳门电影身份叙事从追寻一种稳定的、本质化的“共有文化”身份，到经历后殖民语境下的身份断裂与迷茫，最终转向通过共享记忆和情感叙事主动“生产”新身份认同的美学流变过程。With the help of Stuart Hall's cultural identity theory, this paper analyzes the aesthetic evolution process of identity narrative in Macao films through a close reading of three representative films, *Seduction of a Woman with a Big Braid*, *Ao Gu* and *Sisterhood*. It shows that the identity narrative of Macao films has evolved from pursuing a stable and essentialized "shared culture" identity, to experiencing identity fragmentation and confusion in the post-colonial context, and finally to actively "producing" a new identity recognition through shared memory and emotional narrative.