Freedom and Balance in Decorative Painting: Artist's Reflections on the Series "Garden"

Afterword by the Artist (On personal manner and individuality) I studied painting from early youth — in art studios and a traditional academic art school for children. But even then I felt that this strict academic system was not for me. Classical still life, symmetry, the precise rendering of materials — glass, ceramics, or small objects — always seemed lifeless. The traditional approach with shadow, half-tone, and highlight never inspired me. For many years I thought that I “couldn’t” show volume, that something was missing. Only later I understood — this is my individuality. I simply do not need to imitate reality. What interests me is color, balance, and lightness of form. The only classical element I still use is reflexes — reflections of surrounding color that bring life to the surface. They help the painting breathe and connect one tone with another. Now I understand that flatness and decorative rhythm are not limitations, but my own way of seeing. I don’t chase illusion — I create a living surface of color where everything is equal: line, tone, and space. Keywords: Decorative painting, color harmony, abstraction, composition, artistic education, freedom in art, individuality, Nona Dronova

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-10-07
DOI
https://doi.org/10.5281/zenodo.17285521
Primary Topic
Human-Animal Interaction Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Freedom and Balance in Decorative Painting: Artist's Reflections on the Series "Garden"

Zenodo (CERN European Organization for Nuclear Research)
Human-Animal Interaction Studies
article

Freedom and Balance in Decorative Painting: Artist's Reflections on the Series "Garden"

article en

Abstract

Afterword by the Artist (On personal manner and individuality) I studied painting from early youth — in art studios and a traditional academic art school for children. But even then I felt that this strict academic system was not for me. Classical still life, symmetry, the precise rendering of materials — glass, ceramics, or small objects — always seemed lifeless. The traditional approach with shadow, half-tone, and highlight never inspired me. For many years I thought that I “couldn’t” show volume, that something was missing. Only later I understood — this is my individuality. I simply do not need to imitate reality. What interests me is color, balance, and lightness of form. The only classical element I still use is reflexes — reflections of surrounding color that bring life to the surface. They help the painting breathe and connect one tone with another. Now I understand that flatness and decorative rhythm are not limitations, but my own way of seeing. I don’t chase illusion — I create a living surface of color where everything is equal: line, tone, and space. Keywords: Decorative painting, color harmony, abstraction, composition, artistic education, freedom in art, individuality, Nona Dronova

Zenodo (CERN European Organization for Nuclear Research)
Openalex Percentile: Top 35%
Human-Animal Interaction Studies
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