El perfil de los periodistas en el cine: tópicos agigantados / Journalists’ profile in the movies: big clichés

This article analyses the cinematic representation of journalists from the 1930s to the present, examining 104 films through content analysis. The study reveals how film both reflects and constructs societal perceptions of journalism. The prevailing image is that of an experienced male reporter, highly dedicated to work, often at the expense of personal life. Despite the persistence of certain clichés—obsession with the job, disrupted family relations, and personal flaws—journalists on screen are generally portrayed as ethical professionals committed to a social mission. The analysis contrasts these dominant stereotypes with actual empirical studies on the profession, revealing discrepancies in aspects such as gender representation, ethical conduct, and career trajectory. By unpacking the filmic clichés associated with journalism, the article contributes to media literacy and the understanding of professional identity in popular culture. The research underlines the relevance of media representations in shaping public opinion about journalism and stresses the need for critical engagement with cinematic narratives. This work is valuable for scholars in media studies, journalism, and communication ethics.

Publication Details

Journal
Figshare
Published
2025-08-27
DOI
https://doi.org/10.6084/m9.figshare.29998531
Primary Topic
Steroid Chemistry and Biochemistry
Type
article
Field-Weighted Citation Impact
0.00
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article

El perfil de los periodistas en el cine: tópicos agigantados / Journalists’ profile in the movies: big clichés

Figshare
Steroid Chemistry and Biochemistry
article

El perfil de los periodistas en el cine: tópicos agigantados / Journalists’ profile in the movies: big clichés

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Abstract

This article analyses the cinematic representation of journalists from the 1930s to the present, examining 104 films through content analysis. The study reveals how film both reflects and constructs societal perceptions of journalism. The prevailing image is that of an experienced male reporter, highly dedicated to work, often at the expense of personal life. Despite the persistence of certain clichés—obsession with the job, disrupted family relations, and personal flaws—journalists on screen are generally portrayed as ethical professionals committed to a social mission. The analysis contrasts these dominant stereotypes with actual empirical studies on the profession, revealing discrepancies in aspects such as gender representation, ethical conduct, and career trajectory. By unpacking the filmic clichés associated with journalism, the article contributes to media literacy and the understanding of professional identity in popular culture. The research underlines the relevance of media representations in shaping public opinion about journalism and stresses the need for critical engagement with cinematic narratives. This work is valuable for scholars in media studies, journalism, and communication ethics.

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Steroid Chemistry and Biochemistry
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