Divismo y narcisismo de los periodista en el cine / Narcissism and stardom of the journalist in the cinema

This article examines how cinema constructs and distorts the public image of journalism through the recurring archetype of the narcissistic or "star" journalist. Based on the analysis of over 100 films featuring journalists in prominent roles, the study identifies patterns of professional egocentrism, exaggerated ambition, and emotional detachment. These traits, often exaggerated for dramatic or comedic effect, reinforce a stereotype that prioritises fame and spectacle over journalistic ethics and social responsibility. Using a typology of narcissistic behaviours aligned with clinical indicators, the research explores how cinema mediates public perceptions of journalism, sometimes reducing complex realities to simplistic caricatures. The study integrates audiovisual analysis with sociological data on the profession's public image and explores the risks posed by such cinematic representations. These findings are relevant to media studies, journalism education, and communication theory, providing critical insights into the power of visual media in shaping occupational reputations.

Publication Details

Journal
Figshare
Published
2025-08-27
DOI
https://doi.org/10.6084/m9.figshare.29998552
Primary Topic
Remote Sensing in Agriculture
Type
article
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Divismo y narcisismo de los periodista en el cine / Narcissism and stardom of the journalist in the cinema

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Remote Sensing in Agriculture
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Divismo y narcisismo de los periodista en el cine / Narcissism and stardom of the journalist in the cinema

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Abstract

This article examines how cinema constructs and distorts the public image of journalism through the recurring archetype of the narcissistic or "star" journalist. Based on the analysis of over 100 films featuring journalists in prominent roles, the study identifies patterns of professional egocentrism, exaggerated ambition, and emotional detachment. These traits, often exaggerated for dramatic or comedic effect, reinforce a stereotype that prioritises fame and spectacle over journalistic ethics and social responsibility. Using a typology of narcissistic behaviours aligned with clinical indicators, the research explores how cinema mediates public perceptions of journalism, sometimes reducing complex realities to simplistic caricatures. The study integrates audiovisual analysis with sociological data on the profession's public image and explores the risks posed by such cinematic representations. These findings are relevant to media studies, journalism education, and communication theory, providing critical insights into the power of visual media in shaping occupational reputations.

Figshare
Openalex Percentile: Top 42%
Remote Sensing in Agriculture
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