Indigenous Identity and Hybridization in Painting: A Critical Review

The preservation of indigenous identity in African painting faces major challenges in the context of globalization and cultural hybridization. As contemporary African artists navigate a rapidly evolving artistic landscape, the merging of traditional artistic expressions with external influences raises critical questions about authenticity and originality. This article critically examines the interplay between indigenous identity and hybridization, emphasizing how these dynamics redefine artistic practices and cultural narratives. Indigenous identity, deeply rooted in cultural heritage and symbolism, is at risk of dilution as artists incorporate global influences into their work. The review highlights various scholarly perspectives on the tension between modernity and tradition, exploring how African artists adapt their practices while striving to maintain connections to their cultural roots. Ultimately, this analysis underscores the importance of preserving indigenous identity amidst hybridization, advocating for a balance that credits traditional practices while embracing innovative expressions.

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Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-06-08
DOI
https://doi.org/10.5281/zenodo.15620017
Primary Topic
Monetary Policy and Economic Impact
Type
article
Field-Weighted Citation Impact
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article

Indigenous Identity and Hybridization in Painting: A Critical Review

Zenodo (CERN European Organization for Nuclear Research)
Monetary Policy and Economic Impact
article

Indigenous Identity and Hybridization in Painting: A Critical Review

article en

Abstract

The preservation of indigenous identity in African painting faces major challenges in the context of globalization and cultural hybridization. As contemporary African artists navigate a rapidly evolving artistic landscape, the merging of traditional artistic expressions with external influences raises critical questions about authenticity and originality. This article critically examines the interplay between indigenous identity and hybridization, emphasizing how these dynamics redefine artistic practices and cultural narratives. Indigenous identity, deeply rooted in cultural heritage and symbolism, is at risk of dilution as artists incorporate global influences into their work. The review highlights various scholarly perspectives on the tension between modernity and tradition, exploring how African artists adapt their practices while striving to maintain connections to their cultural roots. Ultimately, this analysis underscores the importance of preserving indigenous identity amidst hybridization, advocating for a balance that credits traditional practices while embracing innovative expressions.

Zenodo (CERN European Organization for Nuclear Research)
Kenyatta University (KE), Modibbo Adama University of Technology (NG)
Sustainable cities and communities
Openalex Percentile: Top 36%
Monetary Policy and Economic Impact
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Indigenous Identity and Hybridization in Painting: A Critical Review · Zenodo (CERN European Organization for Nuclear Research) (2025) | TGRS Research Map | TGRS