Unnamed men and available women: connecting the popular, the personal and the political in racialised hyperheterosexual representations of women in South African magazines

The aim of this presentation is to reflect on the linkages between the popular, the personal and the political. I do this through interrogating the ways that compulsory heteropatriarchy establishes women's representation as hyperheterosexual for an unnamed and unmarked, but clearly, masculine audience in a select group of mainstream magazines. Using a feminist methodology foregrounding the intersectionalities between gender, race and sexuality, I argue that hyperheterofeminine performances are racialised with few exceptions, white femininities are presented as normative, and black femininities as 'other' and exotic. If heteronormativity and white normalcy determines women's representation in the media, a space which relies on repetition in order to establish normativity in the popular imagination, then the struggle for women's bodily integrity, freedom and equality, needs to be more aggressively pursued in the current South African climate.

Publication Details

Journal
Human Science Research Council SA
Published
2025-09-28
DOI
https://doi.org/10.14749/30227497
Primary Topic
Education, Psychology, and Social Research
Type
article
Field-Weighted Citation Impact
0.00
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article

Unnamed men and available women: connecting the popular, the personal and the political in racialised hyperheterosexual representations of women in South African magazines

Human Science Research Council SA
Education, Psychology, and Social Research
article

Unnamed men and available women: connecting the popular, the personal and the political in racialised hyperheterosexual representations of women in South African magazines

article en

Abstract

The aim of this presentation is to reflect on the linkages between the popular, the personal and the political. I do this through interrogating the ways that compulsory heteropatriarchy establishes women's representation as hyperheterosexual for an unnamed and unmarked, but clearly, masculine audience in a select group of mainstream magazines. Using a feminist methodology foregrounding the intersectionalities between gender, race and sexuality, I argue that hyperheterofeminine performances are racialised with few exceptions, white femininities are presented as normative, and black femininities as 'other' and exotic. If heteronormativity and white normalcy determines women's representation in the media, a space which relies on repetition in order to establish normativity in the popular imagination, then the struggle for women's bodily integrity, freedom and equality, needs to be more aggressively pursued in the current South African climate.

Human Science Research Council SA
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Education, Psychology, and Social Research
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