THE NARRATOR'S SPEECH AND THE AUTHOR'S POSITION IN THE NOVEL-PAMPHLET "SILENCE AFTER THE ASSASSINATION OR FROM GENGHIS KHAN TO CHURCHILL"

The article discusses the narrator's speech in the novel-pamphlet and its artistic and aesthetic functions, as well as the role of the author's position in their expression. Because in most literary and publicistic works, the narrator's speech occupies a leading place in revealing the artistic and aesthetic concept of the work. In this sense, it is necessary to study whether this problem serves to reveal the artistic and social idea put forward by the writer. In fact, scholars have expressed sufficient scientific and theoretical opinions about the narrator's speech, the narration and its various forms, the irony, sarcasm, aphorisms used by the writer in the process of narration. The scientific results obtained as a result of the ideas of scholars became the scientific methodological basis for the analysis of the work and the final conclusions.