تجليات الكمال والجمال في الانشاء التصويري

Research Abstract This study aims to reveal the manifestations of the concepts of perfection and beauty in the visual artwork through analyzing the mechanisms and laws of pictorial construction (Composition). The research starts from the hypothesis that achieving aesthetic perfection in the artwork is the result of the artist's awareness and mastery of an integrated constructive system, embodying the dialectical relationship between fixed principles and technical and aesthetic variables. The research relied on the descriptive-analytical method in studying the applied models represented by paintings from different art schools (Classical, Romantic, Impressionist, Expressionist, Modern), aiming to identify the foundations governing the process of achieving unity and visual balance. The study reached several key results, the most important of which are: that perfection in pictorial construction is a dynamic concept manifested through the artist's ability to employ constructive laws (such as balance, rhythm, and dominance) to serve the expressive vision of the work, and that beauty is generated from the interaction between the initial idea, the artist's sensory perception, and the viewer's reception process. The study concludes by presenting recommendations on the importance of teaching these principles in academic curricula as a basis for innovation, not as rigid rules.