In the Family

Meshell Ndegeocello’s 2024 album, No More Water: The Gospel of James Baldwin , deploys not only Baldwin’s texts but the author as Black queer icon. In this review of a stop on her concert tour of the album, Rebecca Wanzo argues that she interpellates those who know Baldwin deeply as well as those who do not. Both the album and performance evoke Black queer artists and liberation struggles of the past and present in order to speak across space and time.

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Publication Details

Journal
James Baldwin Review
Published
2025-09-22
DOI
https://doi.org/10.7227/jbr.11.16
Primary Topic
Geochemistry and Geologic Mapping
Type
article
Field-Weighted Citation Impact
0.00
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article

In the Family

James Baldwin Review
Geochemistry and Geologic Mapping
article

In the Family

article en

Abstract

Meshell Ndegeocello’s 2024 album, No More Water: The Gospel of James Baldwin , deploys not only Baldwin’s texts but the author as Black queer icon. In this review of a stop on her concert tour of the album, Rebecca Wanzo argues that she interpellates those who know Baldwin deeply as well as those who do not. Both the album and performance evoke Black queer artists and liberation struggles of the past and present in order to speak across space and time.

James Baldwin ReviewVol. 11(1)
Washington University in St. Louis (US)
Gender equality
Openalex Percentile: Top 31%
Geochemistry and Geologic Mapping
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In the Family · James Baldwin Review (2025) | TGRS Research Map | TGRS