Introduction : BiblioTech: ReReading the Postdigital Library

This illustrated chapter introduces BiblioTech, a curatorial and editorial project that reimagines the contemporary library through the lens of post-digital art. The library is presented as a hybrid, evolving ecology of interfaces, infrastructures, and practices—at once material and immaterial, personal and institutional, civic and computational. Drawing on exhibitions held in Liverpool and Limassol, the chapter traces how books and libraries have become complex mediating systems shaped by platform capitalism, automation, and digital abstraction. It reflects on the library’s shifting role—from a space of preservation to one of broadcast, speculation, and ambient labour—and positions post-digital art as a method for interrogating the politics and aesthetics of reading, writing, collecting, and cognition today. Through case studies, conceptual framing, and practical accounts of artistic and bibliotechnical experimentation, the chapter proposes the “post-digital perma-library” as both a critical figure and an imaginative infrastructure for cultivating new forms of knowledge and care in increasingly automated, surveilled, and hybridised academic and cultural contexts.

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Publication Details

Journal
Lancaster EPrints (Lancaster University)
Published
2025-06-30
Primary Topic
Geochemistry and Geologic Mapping
Type
article
Field-Weighted Citation Impact
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article

Introduction : BiblioTech: ReReading the Postdigital Library

Lancaster EPrints (Lancaster University)
Geochemistry and Geologic Mapping
article

Introduction : BiblioTech: ReReading the Postdigital Library

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Abstract

This illustrated chapter introduces BiblioTech, a curatorial and editorial project that reimagines the contemporary library through the lens of post-digital art. The library is presented as a hybrid, evolving ecology of interfaces, infrastructures, and practices—at once material and immaterial, personal and institutional, civic and computational. Drawing on exhibitions held in Liverpool and Limassol, the chapter traces how books and libraries have become complex mediating systems shaped by platform capitalism, automation, and digital abstraction. It reflects on the library’s shifting role—from a space of preservation to one of broadcast, speculation, and ambient labour—and positions post-digital art as a method for interrogating the politics and aesthetics of reading, writing, collecting, and cognition today. Through case studies, conceptual framing, and practical accounts of artistic and bibliotechnical experimentation, the chapter proposes the “post-digital perma-library” as both a critical figure and an imaginative infrastructure for cultivating new forms of knowledge and care in increasingly automated, surveilled, and hybridised academic and cultural contexts.

Lancaster EPrints (Lancaster University)
Royal Commission for the Exhibition of 1851 (GB)
Industry, innovation and infrastructure
Openalex Percentile: Top 33%
Geochemistry and Geologic Mapping
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