The Movies of Racial Childhoods: Screening Self-Sovereignty in Asian/America by Celine Parreñas Shimizu (review).

180). Interestingly, these same technologies were used for film monsters thatappeared at the same time too.As part of the last chapter, Lee states that makeup technologies in film and latertelevision and streaming services deserve additional, in-depth study, opening thedoor for a new generation of scholars to build on the small, but impactfulyellowface literature. I also hope that Lee’s work inspires other schol- ars tobuild on what she has done and take the analysis of yellowface in new directions.Yellowface is still with us, but, like the entertainment industry itself, is manifestin new forms.