Beyond Gaze Presentation Series: Fieldworks - Non-Visual Witnessing and Choreographic Resistance

With Fieldworks, we explored questions around non-visual witnessing, their choreographic resistance as I call it, and how the works choreograph perception itself. Touching on everything from the thickness of space between bodies to sound as a form of non-contact touch. The discussion moves through their practice in depth, examining how folding becomes a way of structuring knowledge, how objects generate their own tactile choreographies, and whether the body functions as an archive of touch across performances. It's an exchange about how their work makes space for alternative forms of attention and encounter. This presentation is part of the Beyond Gaze: Establishing the Language of Touch in Applied Drama research project, presented within its public presentation series. This video was recorded on 8 April 2025. Format explanation: Original video recording converted to audio format due to file size constraints. Complete audio content preserved all presentation segments.

Institutions

Publication Details

Journal
Zenodo (CERN European Organization for Nuclear Research)
Published
2025-04-08
DOI
https://doi.org/10.5281/zenodo.17114766
Primary Topic
Geochemistry and Geologic Mapping
Type
article
Field-Weighted Citation Impact
0.00
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article

Beyond Gaze Presentation Series: Fieldworks - Non-Visual Witnessing and Choreographic Resistance

Zenodo (CERN European Organization for Nuclear Research)
Geochemistry and Geologic Mapping
article

Beyond Gaze Presentation Series: Fieldworks - Non-Visual Witnessing and Choreographic Resistance

article en

Abstract

With Fieldworks, we explored questions around non-visual witnessing, their choreographic resistance as I call it, and how the works choreograph perception itself. Touching on everything from the thickness of space between bodies to sound as a form of non-contact touch. The discussion moves through their practice in depth, examining how folding becomes a way of structuring knowledge, how objects generate their own tactile choreographies, and whether the body functions as an archive of touch across performances. It's an exchange about how their work makes space for alternative forms of attention and encounter. This presentation is part of the Beyond Gaze: Establishing the Language of Touch in Applied Drama research project, presented within its public presentation series. This video was recorded on 8 April 2025. Format explanation: Original video recording converted to audio format due to file size constraints. Complete audio content preserved all presentation segments.

Zenodo (CERN European Organization for Nuclear Research)
University of Antwerp (BE), Royal Conservatory The Hague (NL), Royal Conservatoire of Scotland (GB)
Openalex Percentile: Top 42%
Geochemistry and Geologic Mapping
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