Unseeing Photography, Unseeing Space

Abstract: Through the work of Barcelona-based Consuelo Bautista (Colombia, 1957), and specifically her exhibition Son Raval (Arts Santa Mònica, 2013), this article considers a new approach to photography and space by focusing on her use of non-visual elements: sound, touch, and physical movement. I argue that, by taking photographs off the walls of the museum and out of the frame, Bautista ruptures the hierarchy of the gaze and recovers the materiality of the body, making the space of the Raval materially present, and questions the predominance of the gaze, revealing the strictures that shape knowledge. Thus, Bautista reconfigures the medium of photography and its impact on social and cultural space.

Publication Details

Journal
MLN
Published
2025-03-01
DOI
https://doi.org/10.1353/mln.2025.a968754
Primary Topic
Geochemistry and Geologic Mapping
Type
article
Field-Weighted Citation Impact
0.00
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article

Unseeing Photography, Unseeing Space

MLN
Geochemistry and Geologic Mapping
article

Unseeing Photography, Unseeing Space

article en

Abstract

Abstract: Through the work of Barcelona-based Consuelo Bautista (Colombia, 1957), and specifically her exhibition Son Raval (Arts Santa Mònica, 2013), this article considers a new approach to photography and space by focusing on her use of non-visual elements: sound, touch, and physical movement. I argue that, by taking photographs off the walls of the museum and out of the frame, Bautista ruptures the hierarchy of the gaze and recovers the materiality of the body, making the space of the Raval materially present, and questions the predominance of the gaze, revealing the strictures that shape knowledge. Thus, Bautista reconfigures the medium of photography and its impact on social and cultural space.

MLNVol. 140(2)
Openalex Percentile: Top 56%
Geochemistry and Geologic Mapping
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Unseeing Photography, Unseeing Space · MLN (2025) | TGRS Research Map | TGRS