The Chinese identity of St, Mark's Bronze 'Lion' and its place in the history of medieval Venice

There are no known written records pertaining to the origins of the enigmatic bronze ‘Lion’ that stands atop one of the two large columns of the Piazzetta in St Mark’s Square, Venice (Italy). Representing the Venetian Winged Lion, a powerful symbol of statehood, the sculpture was installeddur ing a time of political uncertainty in medieval Mediterranean Europe, yet its features do not reflect local artistic conventions. Here, the authors argue that stylistic parallels are found in Tang Dynas ty China (AD 618–907); employing lead isotope analysis, they further show that the figure was cast with copper isotopically consistent with ore from the Lower Yangzi River basin.

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Published
2025-01-01
Primary Topic
Geochemistry and Geologic Mapping
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The Chinese identity of St, Mark's Bronze 'Lion' and its place in the history of medieval Venice

Geochemistry and Geologic Mapping
article

The Chinese identity of St, Mark's Bronze 'Lion' and its place in the history of medieval Venice

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Abstract

There are no known written records pertaining to the origins of the enigmatic bronze ‘Lion’ that stands atop one of the two large columns of the Piazzetta in St Mark’s Square, Venice (Italy). Representing the Venetian Winged Lion, a powerful symbol of statehood, the sculpture was installeddur ing a time of political uncertainty in medieval Mediterranean Europe, yet its features do not reflect local artistic conventions. Here, the authors argue that stylistic parallels are found in Tang Dynas ty China (AD 618–907); employing lead isotope analysis, they further show that the figure was cast with copper isotopically consistent with ore from the Lower Yangzi River basin.

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The Chinese identity of St, Mark's Bronze 'Lion' and its place in the history of medieval Venice · (2025) | TGRS Research Map | TGRS