Un sistema Braille para videntes (o la bella máquina)

For José Revueltas, the historical imputation implicit in the expression silent cinema causes damage or a misunderstanding that affects our understanding of cinema, since its appearance as a visual and non-auditory art does not correspond to the physical impossibility of speaking. Cinematographic images, whether we call them silent or non-auditory, always speak, and not in a figurative sense but in a strictly signic sense. The implications of this and other ideas present in Cinematographic Knowledge and its Problems are reviewed in light of what was written by Artaud, Deleuze, Guattari and Rancière, in order to show the productivity and capacity for dialogue of the concepts on cinema developed by Jose Revueltas.