Snabbare än bilden : klippning i ljudets hastighet

Film editing as an artform is mostly driven by the images and audio from the film shoot. The goal of this research project is to illustrate the importance the sound design and film score can play in the final edit of a film.By allowing sound to influence the pacing, structure, and emotional tone of scenes before the edit is locked, the process opens up new creative possibilities. Instead of treating sound as a layer added after picture editing, this approach positions sound as an integral part of the storytelling process from the very beginning.Through practical experiments in various short film projects, this research demonstrates how early collaboration with sound designers and composers can reshape editorial decisions affecting shot length, rhythm, and even narrative clarity. The results suggest that when sound actively leads the editing process, it not only enhances atmosphere and meaning but can redefine the overall cinematic experience.This challenges traditional linear workflows, revealing an alternative method where editing becomes as much about listening as about seeing.

Publication Details

Journal
KTH Publication Database DiVA (KTH Royal Institute of Technology)
Published
2025-01-01
Primary Topic
Music Technology and Sound Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Snabbare än bilden : klippning i ljudets hastighet

KTH Publication Database DiVA (KTH Royal Institute of Technology)
Music Technology and Sound Studies
article

Snabbare än bilden : klippning i ljudets hastighet

article en

Abstract

Film editing as an artform is mostly driven by the images and audio from the film shoot. The goal of this research project is to illustrate the importance the sound design and film score can play in the final edit of a film.By allowing sound to influence the pacing, structure, and emotional tone of scenes before the edit is locked, the process opens up new creative possibilities. Instead of treating sound as a layer added after picture editing, this approach positions sound as an integral part of the storytelling process from the very beginning.Through practical experiments in various short film projects, this research demonstrates how early collaboration with sound designers and composers can reshape editorial decisions affecting shot length, rhythm, and even narrative clarity. The results suggest that when sound actively leads the editing process, it not only enhances atmosphere and meaning but can redefine the overall cinematic experience.This challenges traditional linear workflows, revealing an alternative method where editing becomes as much about listening as about seeing.

KTH Publication Database DiVA (KTH Royal Institute of Technology)
Openalex Percentile: Top 47%
Music Technology and Sound Studies
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