Modernism after the Ballets Russes: Movement in the British Theatre

Serge Diaghilev's Ballets Russes holds a renowned position in the history of modernism across various arts. The company's daring productions brought together leading artists working in diverse fields - from Igor Stravinsky to Pablo Picasso, from Bronislava Nijinska to Coco Chanel - redefining the possibilities of artistic collaboration and shaping the trajectories of dance, music, fashion, and the visual arts. But what of the Ballets Russes's role in the text-based theatre? Despite the intrinsic link between dance and theatre as performance arts, the company's contributions to dramatic literature and dramaturgy have remained surprisingly elusive. This book establishes the Ballets Russes as a powerful force in the development of modernist theatre in Britain, revealing how the company's avant-garde repertoire inspired the creation of new composition strategies and performance techniques that privileged the immediacy of expression offered by the moving, dancing body.