Everything and nothing found in the house of leaves: A multiliterate analysis of multimodal writing.

The postmodern horror novel House of Leaves engages in a bevy of discourses across the humanities, a complex work that invites readers to engage with several multimodal forms of reading and writing to experience it fully. This thesis hopes to explore the novel’s place in various sites of discourse including film theory, philosophy, and horror genre theory; applying a multiliterate perspective to the work to study how the novel encourages multimodal and multiliterate thinking by applying studies of typography, experimental literature, and literary ontology. This thesis will emphasize a filmic analysis of text-within-text The Navidson Record, to address a gap in scholarship regarding the application of film studies and horror genre theory to the fictional film that the novel’s plot concerns.