El narrador en la autoficción dramática. Los Gondra (trilogía), de Borja Ortiz de Gondra

The theory of dramatic autofiction is based on the absence of a narrator figure to explain the differences between narrative autofiction and theatre. However, Anxo Abuín's classic study and theatre semiology show that a theatrical narrator is possible, as is the case in 20th-century dramatic writing. This study will analyse the narrator as an autofictional mechanism in Borja Ortiz de Gondra's Los Gondra (trilogía), which is widely recognised as one of the most important dramatic autofictions in the Spanish dramatic panorama.