Borders, Liminality and National Identity in Andrea Levy’s Short Stories

Born in London to Jamaican parents who arrived in London on board of the legendary Empire Windrush, Andrea Levy has penned works that are characterised by a critical negotiation with notions pertaining to ethnicity, national identity and culture of the Jamaican diaspora in the UK. Levy’s only collection of short stories, Six Stories & An Essay (2014), dramatizes the writer’s urge to come to terms with her family heritage to properly acknowledge Britain’s Caribbean history, violently blotted out from the main narrative of British history however integral to the “greatness” of the British Empire. This essay explores “The Polite Way That English People Have,” a story which interweaves Levy’s family history with the collective history of the Jamaican diaspora in the UK. Similarly, “Uriah’s War,” the last story of the collection, intertwines personal memories, ancestry and ethnicity with British national identity, a political issue that has to be contemplated within a larger project of plural and inclusive nations.

Publication Details

Journal
Industrias Culturais (Universidade de Coimbra)
Published
2024-10-01
Primary Topic
Magnetic confinement fusion research
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Borders, Liminality and National Identity in Andrea Levy’s Short Stories

Industrias Culturais (Universidade de Coimbra)
Magnetic confinement fusion research
article

Borders, Liminality and National Identity in Andrea Levy’s Short Stories

article en

Abstract

Born in London to Jamaican parents who arrived in London on board of the legendary Empire Windrush, Andrea Levy has penned works that are characterised by a critical negotiation with notions pertaining to ethnicity, national identity and culture of the Jamaican diaspora in the UK. Levy’s only collection of short stories, Six Stories & An Essay (2014), dramatizes the writer’s urge to come to terms with her family heritage to properly acknowledge Britain’s Caribbean history, violently blotted out from the main narrative of British history however integral to the “greatness” of the British Empire. This essay explores “The Polite Way That English People Have,” a story which interweaves Levy’s family history with the collective history of the Jamaican diaspora in the UK. Similarly, “Uriah’s War,” the last story of the collection, intertwines personal memories, ancestry and ethnicity with British national identity, a political issue that has to be contemplated within a larger project of plural and inclusive nations.

Industrias Culturais (Universidade de Coimbra)
Reduced inequalities
Openalex Percentile: Top 26%
Magnetic confinement fusion research
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Borders, Liminality and National Identity in Andrea Levy’s Short Stories · Industrias Culturais (Universidade de Coimbra) (2024) | TGRS Research Map | TGRS