Necessitating autonomy: Performing Black womanhood.

This thesis examines the ways in which Black womanhood should autonomously be represented on the stage and/or the screen. By defining the theories of Black Feminist Thought, Black Performance, Trap Feminism and Sankofa, I create a praxis that provides Black femme performers with tools for authentic characterization. By acknowledging and respecting that Black women are not monolithic, this thesis also explores the evolution of theatrical representations of Black Womanhood—particularly U.S. Black womanhood from the late 19th century to modern day. Using historical narrative, analysis, acting techniques learned during my MFA program, and personal reflection, I advocate for Black women centering their voices through the creation of a Black Femme Performance praxis. This thesis serves as a guide for Black women to take ownership over their creative process by uplifting their individual voices and life experiences, while simultaneously decentering the White gaze and the politics of respectability.