Tevhidî Açıdan İslam Hat Sanatının Gayesi

Tawhid is the cornerstone of Islamic creed, shaping the essence of faith and the worldview of every Muslim individual. This belief profoundly influences a person’s way of thinking, lifestyle, and creative expression. Islamic art, nourished by this divine unity, has developed a structure centered on revelation in both form and content. Calligraphy, which emerged through the transcription of the Qur’an — the direct expression of revelation — stands as one of the most powerful visual representations of tawhid within Islamic arts. Calligraphy is not merely an aesthetic practice; it is also a domain where the belief in divine unity finds expression through the written word. This study will examine calligraphic works that focus on themes of tawhid and reveal how this art form visually reinforces the concept of divine oneness. The works produced by great master calligraphers demonstrate that the ultimate aim of the art is not purely aesthetic, but rather to glorify faith. Therefore, Islamic calligraphy will be presented not just as a visual form, but as a contemplative product originating from the One (Al-Wahid). The study will explore how calligraphy, in both its theoretical and visual dimensions, reflects and supports the understanding of tawhid.

Institutions

Publication Details

Journal
DergiPark (Istanbul University)
Published
2025-01-22
Primary Topic
Social Skills and Education
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Tevhidî Açıdan İslam Hat Sanatının Gayesi

DergiPark (Istanbul University)
Social Skills and Education
article

Tevhidî Açıdan İslam Hat Sanatının Gayesi

article en

Abstract

Tawhid is the cornerstone of Islamic creed, shaping the essence of faith and the worldview of every Muslim individual. This belief profoundly influences a person’s way of thinking, lifestyle, and creative expression. Islamic art, nourished by this divine unity, has developed a structure centered on revelation in both form and content. Calligraphy, which emerged through the transcription of the Qur’an — the direct expression of revelation — stands as one of the most powerful visual representations of tawhid within Islamic arts. Calligraphy is not merely an aesthetic practice; it is also a domain where the belief in divine unity finds expression through the written word. This study will examine calligraphic works that focus on themes of tawhid and reveal how this art form visually reinforces the concept of divine oneness. The works produced by great master calligraphers demonstrate that the ultimate aim of the art is not purely aesthetic, but rather to glorify faith. Therefore, Islamic calligraphy will be presented not just as a visual form, but as a contemplative product originating from the One (Al-Wahid). The study will explore how calligraphy, in both its theoretical and visual dimensions, reflects and supports the understanding of tawhid.

DergiPark (Istanbul University)
Van Yüzüncü Yıl Üniversitesi (TR)
Openalex Percentile: Top 37%
Social Skills and Education
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Tevhidî Açıdan İslam Hat Sanatının Gayesi · DergiPark (Istanbul University) (2025) | TGRS Research Map | TGRS