Notes on Art as a Translator of Experience in Edward P. Jones’s Storytelling: “The Girl Who Raised Pigeons” and “In the Blink of God’s Eye”

These notes are reflections on Edward P. Jones’s storytelling, with a focus on two short-stories, “The Girl Who Raised Pigeons” (Lost in the City) and “In the Blink of God’s Eye” (All Aunt Hagar’s Children). In these stories, Jones presents the African American urban experience, highlighting the importance of community. Nonetheless, his characters’ deep sense of abandonment comes through in his art, which translates experience—allowing a compensatory feeling of community.

Publication Details

Journal
Industrias Culturais (Universidade de Coimbra)
Published
2024-10-15
Primary Topic
Nanopore and Nanochannel Transport Studies
Type
article
Field-Weighted Citation Impact
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article

Notes on Art as a Translator of Experience in Edward P. Jones’s Storytelling: “The Girl Who Raised Pigeons” and “In the Blink of God’s Eye”

Industrias Culturais (Universidade de Coimbra)
Nanopore and Nanochannel Transport Studies
article

Notes on Art as a Translator of Experience in Edward P. Jones’s Storytelling: “The Girl Who Raised Pigeons” and “In the Blink of God’s Eye”

article en

Abstract

These notes are reflections on Edward P. Jones’s storytelling, with a focus on two short-stories, “The Girl Who Raised Pigeons” (Lost in the City) and “In the Blink of God’s Eye” (All Aunt Hagar’s Children). In these stories, Jones presents the African American urban experience, highlighting the importance of community. Nonetheless, his characters’ deep sense of abandonment comes through in his art, which translates experience—allowing a compensatory feeling of community.

Industrias Culturais (Universidade de Coimbra)
Openalex Percentile: Top 63%
Nanopore and Nanochannel Transport Studies
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Notes on Art as a Translator of Experience in Edward P. Jones’s Storytelling: “The Girl Who Raised Pigeons” and “In the Blink of God’s Eye” · Industrias Culturais (Universidade de Coimbra) (2024) | TGRS Research Map | TGRS