Examining the application of chaos theory in the creative process of my musical compositions: A case study of three works

This paper explores my engagement with the concept of chaos from a musical perspective and examines its application within my compositional works. As case studies, I have selected three studio compositions: Lullabay, Deep-Rooted Hurt, and Academic/Chaotic. For each piece, I provide a detailed analysis of the employment of chaos theory and discuss the structural differences between these works and other related compositions.