Arte y medios: soltar el ‘post’ para hacerlo ‘estéreo’

In the field of art, the term medium is increasingly used to define and discuss the interactions that occur during or between the conception, production, and appreciation of any plastic and/or visual work. Analyzing the components that constitute a medium is an alternative to revisit some of the effects contained in the definitions and theorizations that have been made about them, while also offering new perspectives for understanding what operates in them. In line with this, the proposal of the post-media condition presented by Rosalind Krauss in 1999 is taken to (re)think the gestures contained in the media, to notice their inherent traversal (transitivity) and, in this way, to consider the possibility of a medium or a denomination that groups that transitivity to generate a (stereo) solidity of the representative action of art