Imagined Belonging : On historic uncertainty, estrangement and chimeric identity

In this essay, the artistic explorations of identity, belonging, memory and imagination are discussed from the premise of historic uncertainty. The question of why and how artists can engage in stories unknown or unexplainable to them is approached by drawing from personal experiences and reflections. As a framework, the contemplations in the essay are carried by consideration of the remarkable similarities between the legend of Odysseus and a story that I, the author, have been told about my own grandfather. Furthermore, ideas on power and the production of history (Trouillot, 1995), imaginary-based nostalgia and nationalism (De Brigard, 2020) and critical fabulation (Hartman, 2008) are presented. In conclusion, the concept of chimeric identity and ways to handle historic uncertainty as an artist are described.

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Publication Details

Journal
KTH Publication Database DiVA (KTH Royal Institute of Technology)
Published
2025-01-01
Primary Topic
Nostalgia and Consumer Behavior
Type
article
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article

Imagined Belonging : On historic uncertainty, estrangement and chimeric identity

KTH Publication Database DiVA (KTH Royal Institute of Technology)
Nostalgia and Consumer Behavior
article

Imagined Belonging : On historic uncertainty, estrangement and chimeric identity

article en

Abstract

In this essay, the artistic explorations of identity, belonging, memory and imagination are discussed from the premise of historic uncertainty. The question of why and how artists can engage in stories unknown or unexplainable to them is approached by drawing from personal experiences and reflections. As a framework, the contemplations in the essay are carried by consideration of the remarkable similarities between the legend of Odysseus and a story that I, the author, have been told about my own grandfather. Furthermore, ideas on power and the production of history (Trouillot, 1995), imaginary-based nostalgia and nationalism (De Brigard, 2020) and critical fabulation (Hartman, 2008) are presented. In conclusion, the concept of chimeric identity and ways to handle historic uncertainty as an artist are described.

KTH Publication Database DiVA (KTH Royal Institute of Technology)
Royal College of Art (GB)
Reduced inequalities
Openalex Percentile: Top 43%
Nostalgia and Consumer Behavior
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