Comics as Confrontation : A Case for Breaking Silence around Sexual Abuse in Comics

In this essay I will provide an overview of the socio-cultural and legal attitude towards sexual violence in India, as evidence of the need for bringing survivor’s narratives out into public view. I will look closely at Indian comic artist Shromona Das’s Naming and Shaming (2018) , American artist Phoebe Gloeckner’s A Child’s Life and Other Stories (1998), and my own comic Feral (2025), to elucidate the ways in which comics are a potent medium for survivors to confront, not only our own memories by stringing together a sequential narrative, but also the audience, with the visualization of a lived experience that needs urgent acknowledgement. After a lifetime in a culture of not being believed, this essay is an effort to rationalize my decision to break my silence about the violations that have been inflicted on me, in the comics format, in my own work.

Publication Details

Journal
Open Scholarship Institutional Repository (Washington University in St. Louis)
Published
2025-05-07
Primary Topic
Comics and Graphic Narratives
Type
article
Field-Weighted Citation Impact
0.00
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article

Comics as Confrontation : A Case for Breaking Silence around Sexual Abuse in Comics

Open Scholarship Institutional Repository (Washington University in St. Louis)
Comics and Graphic Narratives
article

Comics as Confrontation : A Case for Breaking Silence around Sexual Abuse in Comics

article en

Abstract

In this essay I will provide an overview of the socio-cultural and legal attitude towards sexual violence in India, as evidence of the need for bringing survivor’s narratives out into public view. I will look closely at Indian comic artist Shromona Das’s Naming and Shaming (2018) , American artist Phoebe Gloeckner’s A Child’s Life and Other Stories (1998), and my own comic Feral (2025), to elucidate the ways in which comics are a potent medium for survivors to confront, not only our own memories by stringing together a sequential narrative, but also the audience, with the visualization of a lived experience that needs urgent acknowledgement. After a lifetime in a culture of not being believed, this essay is an effort to rationalize my decision to break my silence about the violations that have been inflicted on me, in the comics format, in my own work.

Open Scholarship Institutional Repository (Washington University in St. Louis)
Gender equality
Openalex Percentile: Top 45%
Comics and Graphic Narratives
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