Siffrans Makt : Från bruksföremål till samlarobjekt och numreringens betydelse i samtida svensk design

This thesis explores the role of numbering in the transformation of design objects from utilitarian items to collectible artifacts within contemporary Swedish design. Focusing on two key case studies, Concrete by Jonas Bohlin and the Älgskinnsfåtöljen by Mats Theselius, the study investigates how numbering and signatures are used as a strategic tool to assign exclusivity, symbolic value and cultural legitimacy. Combining qualitative reception analysis with quantitative auctiondata, the research examines how these mechanisms influence both the aesthetic interpretation and economic valuation of the objects over time. The theoretical framework integrates Wolfgang Kemp’s reception theory, Pierre Bourdieu’s field theory on symbolic capital and Verena Hüttl-Maack’s model of hedonic consumption. The findings demonstrate that numbering operates merely as a mark of authenticity, but as a performative signifier that repositions the design object at the border between art and design. Once numbered and framed within limited editions, these objects tend to begin to function as artistic expression, gaining status through institutional validation from auction houses, critics and museums. The thesis argues that numbering plays a comparable role in design as it does in fine art by creating scarcity, uniqueness and collector appeal. By shedding light on these symbolic practices, the study aims to contribute in the field of art history by addressing a gap in research concerning valuation mechanisms in the contemporary design landscape.