The Leaf That Tapped: Literary Still Life in the Novels of Virginia Woolf

Literary still life is a vital element of Virginia Woolf’s writing which recurs in almost all of her novels. Through these passages, she attends to the object world, portrays the animation of nonhuman entities, and adapts the aesthetic movements of her time present in modernist still life to the page. In this adaptation, Woolf’s literary still life becomes defined not by its stasis but rather by the rhythm she creates through the layering of these passages, one of the gathering and releasing of stillness. In this thesis, I propose literary still life as a way of thinking about the object-focused passages which are essential to Woolf’s narrative projects in Jacob’s Room, To the Lighthouse, and The Waves.