Issue Cover Art: Homecoming Collage

This piece is a found poem/collage made from different magazine cut-outs glued onto red construction paper. What inspired its creation is the book Homegoing by Yaa Gyasi. In this book, Gyasi describes colonialism's over 400-year impact on the continent of Africa, the Indigenous people to those lands, and their ancestors. She does this by writing a historical fiction story of a family that started in what is now considered current-day Ghana, taking place from the mid-1700s to the early 2000s. The family starts with the mother of two sisters, Maame, who leaves her first daughter (Effia) while her village is set on fire. After she runs away, she is captured by a new village, forced to be a warrior's wife, and has his child (Esi). From this, Effia's lineage stays in Africa and sees colonialism's effects in-continent (primarily the Gold Coast area), while Esi's lineage is captured, forced into slavery in North America, and sees colonialism's effects on people in the United States. Throughout the book, the symbolism of fire is used for Effia's lineage starting with the village she grows up in being on fire during her birth, and the symbolism of water for Esi's as first seen with enslaved people being thrown (or throwing themselves) into the sea while on slave ships. The book's telling of colonialism's multi-generation impact, and its motifs of fire and water inspired me to make this piece.

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Publication Details

Journal
PDXScholar (Portland State University)
Published
2025-04-04
Primary Topic
Sociopolitical Dynamics in Nepal
Type
article
Field-Weighted Citation Impact
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Issue Cover Art: Homecoming Collage

PDXScholar (Portland State University)
Sociopolitical Dynamics in Nepal
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Issue Cover Art: Homecoming Collage

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Abstract

This piece is a found poem/collage made from different magazine cut-outs glued onto red construction paper. What inspired its creation is the book Homegoing by Yaa Gyasi. In this book, Gyasi describes colonialism's over 400-year impact on the continent of Africa, the Indigenous people to those lands, and their ancestors. She does this by writing a historical fiction story of a family that started in what is now considered current-day Ghana, taking place from the mid-1700s to the early 2000s. The family starts with the mother of two sisters, Maame, who leaves her first daughter (Effia) while her village is set on fire. After she runs away, she is captured by a new village, forced to be a warrior's wife, and has his child (Esi). From this, Effia's lineage stays in Africa and sees colonialism's effects in-continent (primarily the Gold Coast area), while Esi's lineage is captured, forced into slavery in North America, and sees colonialism's effects on people in the United States. Throughout the book, the symbolism of fire is used for Effia's lineage starting with the village she grows up in being on fire during her birth, and the symbolism of water for Esi's as first seen with enslaved people being thrown (or throwing themselves) into the sea while on slave ships. The book's telling of colonialism's multi-generation impact, and its motifs of fire and water inspired me to make this piece.

PDXScholar (Portland State University)
Portland State University (US)
Openalex Percentile: Top 31%
Sociopolitical Dynamics in Nepal
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Issue Cover Art: Homecoming Collage · PDXScholar (Portland State University) (2025) | TGRS Research Map | TGRS