Beyond the Screen: Exploring the Player’s Role and Its Impact on Emotional Experiences in Video Games

This article explores the idea of the player as a co-creator of their own experience in video games, focusing on how we can define their role within the game’s architecture and how they shape their emotional experiences. By agreeing to an implicit ‘contract’ as they play a video game, players not only accept to adhere to the rules of the game world but allow themselves to become engaged in the game’s narratives, landscapes, characters, and other elements, opening themselves to deep emotional involvement and becoming integral parts of the narrative structure. Drawing on examples from games like Mass Effect, God of War, Doki Doki Literature Club!, and The Last of Us Part I, among others, the article examines how players form emotional connections through romantic relationships, familial bonds, and friendships. Using concepts inherent to video games, such as agency and immersion, alongside others like involvement and incorporation, as well as those applicable to all fictional works, like suspension of disbelief and rational distance, the article ties these concepts together to better understand the player’s role and its impact on their experience. It highlights how that role influences these emotional experiences, allowing them to extend beyond the game world and leave lasting personal impacts on players.

Publication Details

Journal
Repositório Científico Lusófona (Grupo Lusófona)
Published
2024-10-01
DOI
https://doi.org/10.60543/ijgsi.v2.n2.02
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Beyond the Screen: Exploring the Player’s Role and Its Impact on Emotional Experiences in Video Games

Repositório Científico Lusófona (Grupo Lusófona)
Digital Games and Media
article

Beyond the Screen: Exploring the Player’s Role and Its Impact on Emotional Experiences in Video Games

article en

Abstract

This article explores the idea of the player as a co-creator of their own experience in video games, focusing on how we can define their role within the game’s architecture and how they shape their emotional experiences. By agreeing to an implicit ‘contract’ as they play a video game, players not only accept to adhere to the rules of the game world but allow themselves to become engaged in the game’s narratives, landscapes, characters, and other elements, opening themselves to deep emotional involvement and becoming integral parts of the narrative structure. Drawing on examples from games like Mass Effect, God of War, Doki Doki Literature Club!, and The Last of Us Part I, among others, the article examines how players form emotional connections through romantic relationships, familial bonds, and friendships. Using concepts inherent to video games, such as agency and immersion, alongside others like involvement and incorporation, as well as those applicable to all fictional works, like suspension of disbelief and rational distance, the article ties these concepts together to better understand the player’s role and its impact on their experience. It highlights how that role influences these emotional experiences, allowing them to extend beyond the game world and leave lasting personal impacts on players.

Repositório Científico Lusófona (Grupo Lusófona)
Reduced inequalities
Openalex Percentile: Top 34%
Digital Games and Media
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